Clothes are all about contact: As a wearer, you feel them on your skin, and as a watcher, you process them with your eye. That was why when we did get to real shows, Etro and then Dolce & Gabbana (plus Jacquemus later in France), it was wonderful.
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Also: It was a pity that Miuccia Prada’s last solo collection was reduced to a series of videos that were perfectly fine but inadequate substitutes for what her last show would have represented. issues) over a Zoom pre-stream, it was hard not to lament the missed the real Rick show that this replaced. Rick Owens’s decision to put himself and Tyrone Dylan Susman in his video lookbook was effective, but as we discussed it (and pesky I.T.
On the whole, though, my conclusion-albeit from the privileged perspective who someone who usually gets to go to physical fashion shows-is that while digital assets can be complementary, they will not make real-life fashion shows obsolete anytime soon. Those who’ve experimented with media to say something genuine and personal during the pandemic-Gabriela Hearst’s video of riding with her sister in California and her honest spoken-word statement about sustainability stick in the memory-are for certain pointing towards a more open, intelligent, and progressive future for the way we view fashion from now on.
Though it was something to see Simon Porte Jacquemus’s spectacular runway in a French wheatfield-all those sweeping aerial drone views-and to feel the Beetlejuice official soldier Cuppa army shirt Also,I will get this poignant emotion as three young Italian tenors sang live at Dolce & Gabanna’s socially distanced men’s show in Milan, ultimately this season proved that there are so many more options for effective, compelling, and long-lasting ways of capturing what fashion’s all about today.
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